Are there any 100 on rotten tomatoes




















Rotten Tomatoes' critics' consensus states: " Everyday Sunshine: The Story of Fishbone is an entertaining, heartwarming, and balanced documentary about the influential Los Angeles band. A housewife sends her housekeeper to enjoy free services at a local salon on the proviso she confirms suspicions her husband is having an affair.

Rotten Tomatoes' critics' consensus states: "Well-written and powerfully acted, Fireworks Wednesday gives audiences an early, assured glimpse of writer-director Asghar Farhadi's emerging talent.

A scientist decides to build a living being from body parts, before realising he has created a monster. Rotten Tomatoes' critics' consensus states: "Still unnerving to this day, Frankenstein adroitly explores the fine line between genius and madness, and features Boris Karloff's legendary, frightening performance as the monster.

Rotten Tomatoes' critics' consensus states: "On paper, Gett: The Trial of Viviane Amsalem might seem less than thrilling, but on the screen, it delivers two hours of nonstop, tightly wound, brilliantly acted drama.

Rotten Tomatoes' critics' consensus states: "A delightful blend of slapstick humor, poignant emotion, and social commentary, The Gold Rush encapsulates [Charlie] Chaplin's strengths as a writer, director, and star. A desperate family set off to search for a better life in California and meet dozens of others on the long road westwards.

Rotten Tomatoes' critics' consensus states: "A potent drama that is as socially important today as when it was made, The Grapes of Wrath is affecting, moving, and deservedly considered an American classic. A woman harnesses ancient beekeeping traditions to harvest honey in the North Macedonian countryside. Rotten Tomatoes' critics' consensus states: " Honeyland uses life in a remote village to offer an eye-opening perspective on experiences that should resonate even for audiences halfway around the world.

A couple employs a Filipino live-in maid for household chores and to help look after their child. Rotten Tomatoes' critics' consensus states: "Quietly compassionate and rich in detail, Ilo Ilo is a strikingly mature debut from writer-director Anthony Chen.

A becomes estranged from his aristocratic family after he runs away with an opera singer, triggering an act of revenge. Adam Sandler movies have become synonymous with cringe-worthy failure in the past decade or so, making his '90s glory days that much more bittersweet.

For many, The Wedding Singer , Big Daddy , and Happy Gilmore were staples of adolescent film-viewing experience, and these movies remain friendly reminders that Sandler was once an entertaining, quality filmmakere. However, in the past few years, Adam Sandler has been serving up dud after dud, and The Ridiculous 6 seems to be the worst of the bunch. Max Steel is a sci-fi adventure movie based on the bestselling Mattel action figure of the same name.

Released in , the movie tanked at the box office, and was panned by critics and audiences alike. Hopes of making this film a successful franchise were dashed when the response to the movie came out as wholly negative. The only achievement Max Steel was awarded was being considered one of the top five worst movies of that year. There have been six Terminator movies released in total, all with varying degrees of box-office success.

Although Arnold Schwarzenegger had been doing film work since , it was really The Terminator movie that thrust him into huge fame, just after he had starred in Conan the Barbarian two years before in The sci-fi Terminator franchise became a huge hit with fans of the genre, and the first couple of films remain cult classics to this day.

Its premise, which sees two women fighting over a man, is woefully outdated and shamefully misogynistic, and does little to advance the cause of women - or men, for that matter. Of course, there are exceptions to this, and Paddington 2 certainly seems to be one of the best examples. People were bowled over by the adorable marmalade sandwich-loving bear when the first film was released in It's still counted as a classic in animation, and its major influence on pop culture seems fitting given how well-regarded it is by critics.

It's largely considered possibly the best film that's ever been made. It was also one of the first films chosen for induction in the Library of Congress' National Film Registry. Jimmy Stewart's paranoid panic about believing his neighbor murder his wife remains as unsettling today as it was in All that critical love and influence has caused it to consistently rank on lists cataloging the best movies ever made.

Its Percent Fresh rating is just one of its accolades, and the American Film Institute considers it the second-best courtroom drama ever made -- after "To Kill a Mockingbird. Voris, the Rotten Tomatoes vice president, told me that the site is always trying to grapple with this quandary. Critics love movies and want them to be good, and we try to be honest when we see one that we don't measures up.

That doesn't mean the audience can't like a movie with a rotten rating, or hate a movie with a fresh rating. It's no insult to critics when audience opinion diverges. In fact, it makes talking and thinking about movies more interesting. It's helpful to get a quick sense of critical consensus, even if it's somewhat imprecise. Many people use Rotten Tomatoes to get a rough idea of whether critics generally liked a film. And that, frankly, is what makes art, entertainment, and the world at large interesting: Not everyone has the same opinion about everything, because people are not exact replicas of one another.

Most critics love arguing about movies, because they often find that disagreeing with their colleagues is what makes their job fun.

A good Rotten Tomatoes score indicates strong critical consensus, and that can be good for smaller films in particular. The result, they hope, is increased interest and ticket sales when the movie opens in other cities. And the more recent The Big Sick became one of last summer's most beloved films, helped along by its 98 percent rating.

But a bad score for a small film can help ensure that it will close quickly, or play in fewer cities overall. Its potential box office earnings, in turn, will inevitably take a hit. A good Rotten Tomatoes score, for example, doesn't necessarily guarantee a film will be a hit. Still, studios certainly seem to believe the score makes a difference.

Last summer, studios blamed Rotten Tomatoes scores and by extension, critics when poorly reviewed movies like Pirates of the Caribbean: Dead Men Tell No Tales , Baywatch , and The Mummy performed below expectations at the box office. The Emoji Movie , for example, was critically panned, garnering an abysmal 6 percent Rotten Tomatoes score. And the more you think about it, the less surprising it is that plenty of people bought tickets to The Emoji Movie in spite of its bad press: It's an animated movie aimed at children that faced virtually no theatrical competition, and it opened during the summer, when kids are out of school.

Great reviews might have inflated its numbers, but almost universally negative ones didn't seem to hurt it much. The Mummy gave Tom Cruise his biggest global opening ever. If there is a Rotten Tomatoes effect, it seems to only extend to the American market. Plenty of people would like you to believe that the weak link between box office earnings and critical opinion proves that critics are at fault for not liking the film, and that audiences are a better gauge of its quality.

Fans LOVE the movie. Huge positive scores. Baywatch ended up with a very comfortably rotten 19 percent Tomatometer score , compared to a just barely fresh 62 percent audience score. We are also a rather reserved and nerdy bunch, not regularly armed with venom and knives. But somehow, I suspect that younger ticket buyers — an all-important demographic — lacked nostalgia for year-old lifeguard TV show, and thus weren't so sure about seeing Baywatch in the first place.



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